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Bücher aus der Diözesanbibliothek Västerås (Schweden)

Update zu:
http://archiv.twoday.net/stories/5892217

Siehe
http://archivalia.tumblr.com/post/12890879101/martin-luther-16th-cent-new-testament-k-von

Die Bücher haben eine neue Adresse:
http://www.bibliotek.vasteras.se/stiftsbiblioteket/digitaliserat.htm

Es gibt dort auch den Inkunabelkatalog von Collijn mit Provenienzregister als PDF:
http://www.bibliotek.vasteras.se/stiftsbiblioteket/collijns.pdf

Call for Papers für vfm-Frühjahrstagung 2012: "Zukunft in der Content Cloud. Medienarchive machen mobil"

“Der vfm e.V. Verein für Medieninformation und Mediendokumentation vertritt bildungsbezogene und berufsständische Interessen von Fachleuten aus dem Medienbereich, die mit der Informationsvermittlung, Bestandssicherung, Dokumentation oder Vermarktung medialer Inhalte befasst sind. Ziele des vfm sind deren fachliche Qualifikation, die Förderung von Wissensaustausch und die berufsständische Vertretung, das Konzept für einen Vortrag aus Praxis und Wissenschaft der Medieninformation und -dokumentation einzusenden, der keine werblichen oder lediglich Produkt präsentierende Inhalte aufweist
Der vfm e.V lädt ein für den Kongress Frühjahrstagung des Vereins für Medieninformation und Mediendokumentation zum 16. bis 18. April 2012 in München: Jüdisches Zentrum der Israelitischen Kultusgemeinde München und Oberbayern.

Vorschläge für Präsentationen bis zu 20 Minuten Dauer zu folgenden Themen:
• Medienarchive & Cloud Computing – Chancen und Risiken
zukünftige IT-Strukturen und Usability | Medienarchive und mobile Endgeräte |Apps als Publikationsplattform und Archivierungsgegenstand
• Medienarchive & Social Media
Nutzung und Nutzer sozialer Netzwerke | Recherchestrategien in sozialen Netzwerken | Social Media Content als Archivgut | Social Media als Marketinginstrument

• Ordnungssysteme im WorldWideWeb
Nutzung von Ordnungsstrukturen von Wikipedia & Co | Nutzungsanalysen und Ranking als Recherchetool – Entwicklungen und Anwendungen | Clusterbasierte Empfehlfunktionen bei Suchergebnissen
• Medienarchive & Public Relations
Selbstdarstellung, Imagearbeit und Außenwirkung von Medienarchiven | Kundenbindung | Fundraising …”

Quelle: vfm, CfP

Leitfaden für Open-Content-Lizenzen

iRights-Redakteur Till Kreutzer hat für die deutsche UNESCO-Kommission einen Leitfaden zum Einsatz von Open-Content-Lizenzen erstellt. Er informiert umfangreich über die Rechte und Pflichten von Urhebern und Nutzern, die freie Lizenzen einsetzen wollen. Im Mittelpunkt stehen dabei die Creative-Commons-Lizenzen. Der Leitfaden kann als PDF heruntergeladen werden.

http://irights.info/?q=content/open-content-lizenzen-leitfaden-f%C3%BCr-die-praxis

Leitfaden:
http://irights.info/userfiles/DUK_opencontent_FINAL.pdf

Der Leitfaden macht aus meiner Sicht FALSCHE Angaben über die korrekte Angaben der Lizenz. Daher ist aus meiner Sicht die Angabe des Impressums unzureichend, da auf die Wiedergabe der URL der CC-Lizenzen verzichtet wird. Armselig, dass Dr. Kreutzer noch nicht mal dieses Essential richtig darstellen kann!

Auf
http://creativecommons.org/licenses/by/3.0/de/legalcode
steht unter 4a:
” Sie müssen dabei stets eine Kopie dieser Lizenz oder deren vollständige Internetadresse in Form des Uniform-Resource-Identifier (URI) beifügen.”

Kann man daran irgendetwas missverstehen?

“Nach Ziff. 4a kann die Pflicht entweder durch einen Hyperlink
oder sonstigen Hinweis auf die Lizenz oder dadurch erfüllt werden, dass dem Werkexemplar eine Kopie […] beigefügt wird” (S. 40f., Hervorhebung von mir). Das in Fettschrift wiedergegebene ist die Erfindung von Dr. Kreutzer! Es genügt also nicht einfach zu schreiben:

Titelseite vorne:
TilarX / Flickr (Creative-Commons-Lizenz
Namensnennung 3.0 United States)

Auf S. 65 des Leitfadens wird dagegen korrekt für Druckveröffentlichungen vorgeschlagen:

Ein Hinweis darauf, welche Lizenzversion Anwendung
finden soll und wo deren Text zu finden ist, genügt aber auch. Beispiel:
„Dieses Werk [alternativ: Die in diesem Werk enthaltenen Beiträge, soweit sie nicht
anders gekennzeichnet werden] wird unter einer Creative-Commons-Lizenz
(Namensnennung-keine kommerzielle Nutzung-3.0-Deutschland) lizenziert. Die
Lizenz ist abrufbar unter http://creativecommons.org/licenses/by-nc/3.0/de/deed
oder anzufordern bei: Creative Commons, 559 Nathan Abbott Way, Stanford,
California 94305, USA.”

Auch das LG Berlin sieht das nicht anders:
http://www.ifross.org/Fremdartikel/LG%20Berlin%20CC-Lizenz.pdf

Insgesamt bleibt der Leitfaden auf einem eher trivialen Niveau, Kenner der Rechtsfragen freier Lizenzen lernen kaum etwas dazu. Praktisch wichtige Hinweise zur Frage der Haftung bei Verwendung eines fälschlich CC-getaggten Mediums fehlen beispielsweise.

Statt wie üblich im Impressum wird die CC-Lizenz (NC) des Leitfadens erst auf S. 70 bekanntgegeben.

Foto: Klaus Graf. Statt des üblichen Links auf die Lizenz wähle ich diesmal die Wiedergabe des ganzen Lizenztextes.


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Neu in der genealogischen DigiBib

Als besonderes Highlight sind folgende 10 Bände der Schriftenreihe der Stiftung Stoye in der DigiBib (als Volltext und PDF) neu vorhanden:
Band 40: Wilhelm Ruhland, Herta Riehm: Häuserbuch der Stadt Altenburg in Thüringen 1450–1865. Die Innenstadt, bearb. v. Karlheinz Weidenbruch. Marburg/Lahn 2005.
Band 41: Wilhelm Ruhland, Herta Riehm: Häuserbuch der Stadt Altenburg in Thüringen 1450–1865. Die Vorstädte, bearb. v. Karlheinz Weidenbruch. Marburg/Lahn 2005.
Band 43: Alfred Maschke: Die Einwohnerzählung im Amt Altenburg im Jahre 1580, bearb. v. Karlheinz Weidenbruch. Marburg/Lahn 2007.
Band 45: Frank Heinzig, Wilfried Köhler, Heidemarie Mattis: Die Bürgerbücher der Stadt Altenburg in Thüringen 1512–1700. Marburg/Lahn 2008.
Band 46: Wolfgang Becher, Wilfried Köhler, Gabriele Prechtl, Siegmar Theil: Die Bürgerbücher der Stadt Altenburg in Thüringen 1700–1838. Marburg/Lahn 2008.
Band 47: Thomas Berger: Ahnenliste Berger. Ein Geschlecht aus dem Verwandtschaftskreis des Rudolf Stoye. Marburg/Lahn 2008.
Band 48: Rüdiger Berthold: Regesten zu den Erbschichtungen und Testamenten Leisniger Bürger aus den Bänden der Stadtgerichte Leisnig mit genealogischen Ableitungen. Teil I: A bis K. Marburg/Lahn 2008.
Band 49: Frank-Jürgen Seider: Häuserbuch der Stadt Teltow. Besitz und Baugeschichte der Altstadtgrundstücke. Marburg/Lahn 2008.
Band 50: Rüdiger Berthold: Regesten zu den Erbschichtungen und Testamenten Leisniger Bürger aus den Bänden der Stadtgerichte Leisnig mit genealogischen Ableitungen. Teil II: L bis Z. Marburg/Lahn 2008.
Band 51: Annemarie Engelmann: Das Eidbuch der Stadt Borna 1636–1840. Mehr als ein Bürgerbuch. Marburg/Lahn 2009.

http://wiki-de.genealogy.net/Computergenealogie/2011/11#Projekt-Info_DigiBib

Wieso darf ich mich nicht ausdrucken?

In der FAZ antwortet der Literaturwissenschaftler Remigius Buna auf Günter Krings (16.11.2011, S. N5):

“In seiner Replik auf den Artikel von Günter Krings vom 26.10.2011 an gleicher Stelle beschreibt Remigius Bunia, wie das aktuelle Urheberrecht die wissenschaftliche Forschung behindert. Er stellt heraus, dass der Hochschulverband nur 11% der Hochschulwissenschaftler vertritt und die 89% der befristeten Wissenschaftler derzeit keinerlei Lobby haben, aber die überwiegende Zahl der wissenschaftlichen Publikationen verfassen, also von den aktuellen Urheberrechtsregelungen die wesentlich betroffenen sind.”
http://www.iuwis.de/tag/akteurstags/remigius-bunia

Ben Kaden kommentiert:
http://www.iuwis.de/krings_dfg_10_2011#comment-179

Bunia gibt zwei Beispiele.

Erstens: “Man muss als Nachwuchswissenschaftler bei Bewerbungen und bei DFG-Anträgen die Dissertation beilegen. Wenn ich entsprechende Exemplare brauche, muss ich sie kaufen – obwohl ich die Druckvorlagen habe und den Text ausdrucken könnte.”
Das ist richtig. Besteht zum Adressaten keine persönliche Verbundenheit, verstößt die Weitergabe gegen den in der Regel eigene Vervielfältigungen ausschließenden Verlagsvertrag. Richtig ist aber auch, dass ein Verlag gegen eine solche Nutzung schon deshalb nicht vorgehen würde, weil er nichts von ihr mitbekommt.

Zweitens: Bunia hat einen Artikel eingereicht, der auch akzeptiert wurde. Erst danach erfährt er, dass der Verlag ein ausschließliches Nutzungsrecht (bis zum Ende der Schutzfrist) verlangt. Bunia will das Material nochmals verwerten und ggf. übersetzen. Er schreibt leider NICHT, dass er es Open Access zugänglich machen will (dafür ist das angedachte Zweitverwertungsrecht gedacht). Üblicherweise dulden bei Zeitschriftenartikeln Verlage Neubearbeitungen durch Autoren. Es ist verlagsrechtlich anerkannt, dass Verlage einem Autor nicht verbieten können, ein Thema nochmals aufzugreifen.

Mit dem Hinweis auf Open Access hätte die Argumentation von Bunia erheblich an Schlüssigkeit gewonnen.