Nick Wilding on “A Galileo Forgery”
Renaissance Quarterly, Vol. 67, No. 4 (Winter 2014), pp. 1337-1340 http://www.jstor.org/stable/10.1086/679809 (toll access) Excerpts: “Most revealing is Bredekamp’s contribution: his refusal to recognize his own methodological failure is not only saddening, but also counterproductive. To put it bluntly, as has been done in the German press: if one of the world’s foremost art historians is … „Nick Wilding on “A Galileo Forgery”“ weiterlesen